Dia*sperse
DIA *SPERSE
N. Gitanjali Lena, Untitled, 1999, interactive installation piece.
9-27 June, 1999
Black Paint Studio
Bringing together five contemporary visual artists from diverse communities throughout the South Asian diaspora, this exhibition examines the genres of documentary and socal satire, and in some cases shows an overlap beyween the two.
Using colour photography, Allan DeSouza documents orinetalist architecture around the United States, focusing on tourist sites such as Atlantic City and Disneyland. Ann Palakunnathu Matthew's digitally altered Hindi film posters are more blatantly satirical; she superimposes personal images and text onto the posters for an ironic effect which humourously challenges traditional gender roles and behavior. Both Srinivas Kuruganti and Naureen Shah present photography which draws from classic documentary styles, but each artist has examined and employed this form to very different effects. While Kuruganti documents the Desi party culture in New York as an inquiry into issues to gender, identity and representation, Shah's intimate photographs of Pakistani women are intended to record women's oppression in Pakistan and convey a visceral reaction to the viewer. Amid this exhibit which consists mostly of photo-based work, N.Gitanjali Lena offers an interactive installation piece, a sandbox full of objects made in the developing world for mass consumptions in the West. Participants are invited to dig for buried "treasure" in the sandbox, an action which makes them metaphorically complicit in the production/consumptions of such objects which also satirically drawing out neo-colonialist project of global capitalism.
Michelle Daniel, for the SAVAC steering Committee
Black Paint Studio
1158 Queen St, W, Suit 101, Toronto, M6J IJ5, Tel. 416 531 4434
Hours: Wed - Sat 11-5, Sun 1-5
